Land art

My background in art history, then in horticulture and urban forestry, naturally led me to the practice of land art. If, in art history, land art is often perceived as an artistic movement that consists of the creation of large-scale and destructive works located in vast and remote environments, it is because we have overlooked a whole section of women's artistic work. From land art to current ecological art, then from the imaginary gardens of Patricia Johansson to the Roerich Garden of Émilie Rose Michaud, the works generate a singular weaving between the territory and the communities of human and non-human living beings. Member of the Land Art Collective, an international collective that brings together creators implementing a restorative practice, I value small interventions that promote anchoring in the territory and an encounter with those who inhabit it, cross it and honor it. Through this artistic and social practice which unfolds in slowness and connection, I cultivate an ethic of care for all living things.